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Showing posts with label Peter Marra. Show all posts
Showing posts with label Peter Marra. Show all posts

Monday, 31 March 2014

Peter Marra

Exposed! The Arcana of 7 Sex Queens

a dirty back room.
the vibrations and fluctuations that resonate make things less lonely…..

1. The Hierophant - Experience
coda/codex for
an idol of pornocracy
a describer of the profane becomes
a huntress of the lovers ditched by her ex-lovers.

soon the darkness. in ebony.
a creature spasmed on her legs it was
a creature with 8 legs it had a face it was
crawling away from a scorpion that
had pierced her with its tail
she burned the book
as people peeped through
glass
hard vision cracked
while the insane ones fucking took a hymnal
they still have it
and won’t give it back

2. The Magus - Manipulation
drain you dry…
masked insects positioned her so her opened mouth
contained some objects
pearls, glass, and saliva
she clutched peat moss tightly
while a bare light bulb crackled overhead
illuminating yellowed cracked plaster
the el rumbled outside her window
her apartment
her safe place
moaned

hissing passengers read dirty tabloids
while withering churches looked away
“i can’t”
“i won’t”
“be still”
“be between me because there are 2
talking about intercourse”
she reveled in
the smell of
dirt
picture this: it's a postcard of insanity

3. The High Priestess - Mystical Vision
life is ruined by their tongues
over her
she tightened them as a process
arms wrap around it
mumbling something
prayers overloaded
squeezing the reflex
felt like a very long body

truth was revealed as a result of the snakebite
received in tompkins square park
she mouthed the name
of the cannibal prophesied by bloodless tarot
sound of a rosy death and
the aura of her smile punishes
exactly as an individual human
whelping in the cold night air
an electric wizard posthumously
described the ending of
the preceding ghoulish events

 

4. The Empress - Sensuality

her eyes glazed as she asked the almost insane young
the night air where planes zoom to crash
violently shredding glass with skin rorschach tests of
plasma congealed in
mid air
crouching down
she waits
she
waits
elongated shadows slide past
her as she tries to remember why
she had climaxed
and what it really got
her
which justifies the hot pussy driving
as she succumbs to the following nothingness
hopped up girls finished with her
tongues
head pointed almost straight down
she rises up to slay the love merchant
rejuvenation wrung from loss

 

5. The Hermit - Isolation

hot young usually too drunk or exhausted
come play with her
the stops of lightning
sexually go slowly as waves
something you will be serving
your normal ideas yourself
whining right now

it’s lonely over here
rise up and go
knocked over
the drugstore fled with the dope
for her own pleasure

keep sexual
go slowly
that was her only recommendation
law as oral medicine as she was
squeezing the reflex
escaping the existence of
her already sex crazed body and of
her short dark hair

avoid the doors and windows

 

6. Queen Of Pentacles - Maternal

she became that thing that
she hated most
a cracked doll in a
peepshow
a thing
whimpering on the parquet floor
in a room with open cold windows

as white statues in black boots
burned behind electric motors
she had spent time always trying to satisfy
she had failed and lay in
anticipation
swallowed sooner or later your religion
of numbers
or other abstract concept
the absurd is her sweet mouth
or the
quick coffin
lay down next
to her
and beg forgiveness
melancholic and fascinated

 

7. Queen Of Swords - Sorrows

addicted to pleasing
waking up in
a new apartment
owned by females in stasis
semi fluid crash adrenaline
try to get moving
the tv is always on but no sound just pictures.
sometimes. sometimes no pictures just
sound. sometimes. sometimes the screen is
blue and her face appears
holding me in with
the squeezing clutch of her lust
pierced
pierced

“i can’t”
“i won’t”
“be still”
“be between my selves because there are 2
talking about intercourse”

that's the survivor
skirts flipping up

(she
has hands
that touch the
wrong
things)


coda/codex:
to sleep
to dream
in a nightmare alley
morbid saints dance




Tuesday, 11 March 2014

From 'Vignettes for Ash Wednesday'- Peter Marra

Dead Storage: Mad For Kicks

sitting at the bar she’s facing a double mirror serenade.
she asked, “do you ever wonder what she smells like?
what she tastes like?”
smirking, she gulped the shot,
looked around quickly then resumed staring.
there were faint odors of flesh around her smile,
bringing us together for an eternity of murder.
“lie here in an old black suit and
watch the assassins pass by,” she said again.
they won’t see us. just a saint’s kiss with burning lips.
a tree made of blood, a slither, a trip
through slow burn to reach her face,
to taste the bitter sweat dripping from her skin;
its arms attempt to touch her feet and fail.
we were spiraling backwards,
falling between cracks and sounds.
they were hiding in the fields until the rhythm changes.
as you know, our favorite pastime was
setting automobiles on fire.

--

The Strange Madness Of The Sin Syndicate

switch round again
switch round again.
it took a dark corner, it had blinded itself
with textbook hugs and moral support.
it saw the creatures enter her.
(required required)
she poured herself right into. right into the leather bag.
and she squirmed as it grew tight around her
and she screamed for more blood to worship at sunset.
she begged for the frames to scroll and she asked for
forgiveness for the pale white performers on the stage.
the eyes in the booths shielded in darkness
peered in to watch an outcast dance and
to watch her lips on his cock. he was so junk high he couldn’t get it hard,
and her chapped lips sucked at nothing until she collapsed on 
top of him exhausted, watching black and blue on arms. tracks with lightning.
she desired to garb her torso in candid clothing,
see-thru pleasures for the masses.
the creatures took possession of us. and they didn’t fit.
no one needs to know. no one needs to know how she
loves to rule in hell and to destroy heaven.





Monday, 14 January 2013

Peter Marra

A Chronic Use of Neglect


a feeling of skin
a heaviness of the extremities
if he may be considered
out of mind.
if she slept with the excitement of it
the symbolic objects would serve to emphasize
what went wrong as we walked a fractured causeway.

a slight arch
a slash and fall
a fallen desire
a neglected sound.

while taking an inventory of
the residual intensities of effects
her fingers were bent craving
the enjoyment of a risk of overdose.

covered by the leather mask
she often wore while looking in windows
she gently kissed his hands then
quietly sealed his eyes shut.


serpent handling: an additional killing in the boudoir 

1.

the final test
her love of screams
her love of laughter.

at the table:
a nude female
diner transfixed by transubstantiations
seen in 3-D through the View-Master
reminisce about a childhood toy.

a miniaturized
woman falls through the air
arms rigid – movement voided
face adorned by eyes frozen
mouth decorated by saliva emanating
silver tears mercurial in nature
a touching,
a caressing of skin.

her nuclear shadow
(etched into the molding
near the termite holes) was
aggravated by fast breathing,
now a labored screaming function.

they amused themselves with
a giallo desire to be destroyed by knives
and left in a clotting pool while the director wept

2.
her mommy told of madness
and tales of the snake-people,
cobra dances and reptile prayers.

her skin felt funny in the shower
water didn’t feel good
(it’s all fucked up).

the preacher didn’t help.
no help from a soul used up,
venom makes its way through her blood vessels.
behind the eyes vacant smiles


she brought warning signs
to others: 
our life-blackouts 
your infections
your mood swings.

the shower won’t cleanse
her skin was raw.
she turned on
she turned over.
the switch shorted out
a case of ungrounded plugs.

she counted two circular electrodes running scared
then she was more comfortable with the situation.

contact & control was a way of existence for her
the charge slowly mattered to me
her pussy lips pouting - so provocative.

“i think she was a second timer to the receptacle  and
she’s still there”

3.
they  changed her face.
it was inside then it was good.
years of commercial use had forced a change.
she went out leaving the room of odors and pain
clad in black fishnet stockings –
to do some posing on the
black sand beach.

it’s where the rattlers were handled with no thought for safety,
where words were said with no redemption,
creatures charmed by the rabid snake-charmers.

she was deconstructed at 24 fps,
vibrating water washes her ankles,
removes sins.

afterwards she sat down with a wet plop,
smiling as bullets ricocheted.

this was a done dream, dear, dear me.
by the beach.
inside the house,
the maidens screamed for
pleasures they had lost.

a little game gone a little wrong
long used to the shock level
she measured  out 1 shock duration and 1 automatic failure.

view prey. pulse.
get some sleep. 
the sun came
mimicking a lifelike lust.

the ruins disappear behind them
as the extravagant electric vixens commit a crime

charmed charming creatures

Saturday, 15 December 2012

Peter Marra

night slaughter of the whisperers

an element of ritual initiation whispering
became painfully obvious
to the non-believers of sound

So blue, so go-go crooked
Descending into violence and threats
Honky-tonk desires
they make their way inside
An empty gun
a non-functioning piece for protection
prepare the bastard to my right

Speed Gang Diary written as the
Gang Girls Talk of
girl-girl blood
laughing as they
swallow fluids

She adores one filming her
with stretched out cunt
her skirt riding up her back
the shows play in a loop
inside a building that once housed
a museum of violence they look at the
mirrors he and she see what had happened
trapped faces sliced wide open

tongues flapping branches hanging above them
mildew and incense
snake into their nostrils many
failed attempts at orgasm
tableaus short-circuited in a search for brief comfort

the real thing is never as much fun
as the pre-recorded data played over & over
inanity drooling

a grave in the future
a deep touch
a deep sound spoken gently

women left to their own devices
lift their skirts to take a photo while
clad in moonlight
they’ll take a photo of a victim
consumed by lust and pain
Her skirt was up
revealed her huge smile

a young man clad in a used motorcycle jacket
plays acoustic guitar
sings in echoes and
jumps to the tracks
as eyes upturned
bloodshot whites
witness the actions

the swollen tongue of the sun licks
each and every one of them

sick with apologizing – they’re not sorry
slick with want they claw and laugh

catch a soul and kiss the switchblade

summer is here
summer is hers
an erasure

naked females lie spread-eagled in
the fields as the grass turns brown –

they’re giggling incessantly / teeth chattering
silent milk droplets wash the sweat away

as they beckon the moon to lick them warm
with its throbbing tongue

praying for the sun after its
image has been tattooed
on the soles of their feet

we’ll start at point 1
with the clinical hard push

of a celebratory dinner of secrecy and deceit
until the sounds that torture are erased

and go to a vanishing point

pleasure captives b/w creature features

Side A:

no silence
no sound
no walls
room empty
bare floor
bare light bulb
leave

time recollected from
when she was there.
shivering fear going out into a world
they chased her down.

collapsible new faces grant
a touch of the air,
a time for the skin exclaiming for
the mantra reclaimed -
the thing that gave her purpose.

the one that she lost
when she took a spouse.

the bodies are
buried now.
the fish scales covering her want
are nursing the fear,

preventing the coldburn,
a burning with lead,
an overcoat of obsession as she
breathes and sinks.

Side B:

electrified we walk out
into glass shards electrified.

collapse - she said so
she said so
she said so

she liked the skin
as it slid down, then off fully,
with all the moisture
clinging clinging
the time is hollow.

touching the sky
pierced by spikes from heaven
fingering the moon.

petrified clouds hang in a heavy fashion.
she touches them once -
a collapsible fusion.

a laugh

then a fall,
silently embarrassed
by what just occurred,
a new way of feeling -  

it’s a pleasure that she
doesn't recognize.

last night she slept in a field that
projected green cooling skin sizzling,
as she negotiated for the arsenic dreams
that made her stronger.

toys that were so accomplished
entertained her for days


serpent handling: an additional killing in the boudoir 

1.

the final test
her love of screams
her love of laughter.

at the table:
a nude female
diner transfixed by transubstantiations
seen in 3-D through the View-Master
reminisce about a childhood toy.

a miniaturized
woman falls through the air
arms rigid – movement voided
face adorned by eyes frozen
mouth decorated by saliva emanating
silver tears mercurial in nature
a touching,
a caressing of skin.

her nuclear shadow
(etched into the molding
near the termite holes) was
aggravated by fast breathing,
now a labored screaming function.

they amused themselves with
a giallo desire to be destroyed by knives
and left in a clotting pool while the director wept

2.
her mommy told of madness
and tales of the snake-people,
cobra dances and reptile prayers.

her skin felt funny in the shower
water didn’t feel good
(it’s all fucked up).

the preacher didn’t help.
no help from a soul used up,
venom makes its way through her blood vessels.
behind the eyes vacant smiles


she brought warning signs
to others: 
our life-blackouts 
your infections
your mood swings.

the shower won’t cleanse
her skin was raw.
she turned on
she turned over.
the switch shorted out
a case of ungrounded plugs.

she counted two circular electrodes running scared
then she was more comfortable with the situation.

contact & control was a way of existence for her
the charge slowly mattered to me
her pussy lips pouting - so provocative.

“i think she was a second timer to the receptacle  and
she’s still there”

3.
they  changed her face.
it was inside then it was good.
years of commercial use had forced a change.
she went out leaving the room of odors and pain
clad in black fishnet stockings –
to do some posing on the
black sand beach.

it’s where the rattlers were handled with no thought for safety,
where words were said with no redemption,
creatures charmed by the rabid snake-charmers.

she was deconstructed at 24 fps,
vibrating water washes her ankles,
removes sins.

afterwards she sat down with a wet plop,
smiling as bullets ricocheted.

this was a done dream, dear, dear me.
by the beach.
inside the house,
the maidens screamed for
pleasures they had lost.

a little game gone a little wrong
long used to the shock level
she measured  out 1 shock duration and 1 automatic failure.

view prey. pulse.
get some sleep. 
the sun came
mimicking a lifelike lust.

the ruins disappear behind them
as the extravagant electric vixens commit a crime

charmed charming creatures